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Studio Drummer Activation Key4/15/2021
You can experiment with moving the tip of the stick closer to the edge of the drum head to product different sounds.Weve included detailed explanations and videos below the key.Read this section straight-through or skip ahead to the notations you need further support with.Bass 2 is played either on a secondary bass drum or on the same bass drum with the slave pedal of a double bass drum pedal (see below).
![]() However, because some do require 7 toms, weve identified the notation on this master drum key. In the master drum key, they are identified as floor tom 1, tom 2 and tom 1 (see below). This arrangement features two toms mounted above the bass drum (i.e. ![]() As the name implies, one tom is mounted above the bass drum (i.e. The toms for this arrangement are identified in the graphic below. Additional toms arent often used in mainstream music, but you will come across these from time to time. ![]() In some setups, the lowest tom(s) are attached to a cymbal stand with a clamp rather than resting on the floor. Its fine to use an attached low tom(s) in place of a traditional floor tom(s). Our Master Drum Key shows these modifiers in the snare drum space, but they can apply to any drum or cymbal. For example, you may find a ghost on a tom stroke, hi-hat stroke, bass drum stroke, etc. On the down-stroke, your remaining the fingers will touch the drum head. On the up-stroke, be sure that the tip of the stick remains on the drum head. You can think of a ghost stroke as a light tap (or drop) against the head. Generally, ghost strokes are played with the stroke starting at about 2 inches above the drum head. Traditionally, a flam should be played with one motion (i.e. The stick youre playing the grace stroke with should start about 2 inches above the drum head while the primary stroke starts in normal position. This is played by playing both the grace stroke and primary stroke at the same time. The drag is very similar to a flam but the drag has 2 grace strokes instead of 1. The grace strokes can be achieved by bouncing the stick, or for a more orchestral sound you can play the grace strokes as a buzz against the drum head. The tip of the stick strikes the drum head, generally just off-center, and the shaft of the stick strikes the rim. This produces a higher-pitched, louder (and often ringy) sound.
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